Am I the only person who thinks that giving the user the ability to add 'tags' to the library catalogue is a bad idea? This thought isn't completely apropos of nothing. Folks are meeting to discuss the future of the Integrated Library System. I don't want 'tagging' in our future OPAC.
Here's why:
To me, tagging makes best sense in a context where words need to be added in order to be found. Photos (Flickr) and videos (YouTube) are just two instances where tagging makes it easy and rewarding for the user to annotate their own work because otherwise it would be unlikely that the piece would be found at all. But when you are tagging a piece of text that you've written, in essence you are either duplicating the words that you already used in your piece of text, or you are using more generalized words or synonyms of the main ideas in your piece of text. Essentially you are tagging a text with words that you didn't think were important to include in the text in the first place.
Now when we think of tagging in the library context, we are thinking of a user supplementing a text record (created by a professional) to make it more complete and findable. The idea is that, with tagging enabled the library catalogue becomes social entity, being improved upon by the wisdom of the crowds. But unlike projects like Wikipedia, there is no social reward for improving a catalogue through tagging. There's no incentive - no boost to the ego. And then there's the chance for vandalism.
I think my biggest concern about tagging is that there is the understanding that tags never expire. Once a record is tagged for someone's to read list, it will stay there forever. The idea is that every record will accumulate enough "correct" tags that the signal will overcome the noise. But that's not necessarily going to happen [via]. Over time, tags clouds inevitably amount to a collection of very general words and we know, as librarians that searching for generalized words like 'history' create very large and useless search results.
All this criticism aside, I don't want to take away from the work that the University of Pennsylvania Library has done in creating a library catalogue with tags. For one, they've demonstrated that the temptation to 'deface' a library catalogue with junk tags is largely unrealized. Besides, I think they've created a better tagging service than Amazon and there are very few instances when one can say that of our library systems.
Hi. I'm Mita and I've been blogging since 1999. Of course, this gives me no 'net cred as my first blog, Rain Barrel, was done using Frontpage and hosted on Geocities. Yes, I am a librarian. Changing the rules so more can win. My future self is awesome.
Monday, November 06, 2006
Wednesday, October 18, 2006
Ms. Dewey defeats Google? Hardly.
Tuesday, October 03, 2006
Pro-torture politicians by birth sign
I'd like to bring your attention to this page for two reasons. (It is from the Washington Post and it presents the votes of the 109th Congresss, 2nd Session on Bill HR 6166 aka The Torture Bill)
The first reason why I would like you to see this page is because I want to you to take note who voted for this atrocious bit of legislation and react accordingly.
Then I would like you admire how the page is automatically a summary but allows the user to further delve into the particulars of the information, such vote by the astrological signs of the members of Congress. (Oh Cancer, why do you have to be sooo defensive?) I would cite this as an example of a fundamental way newspaper sites need to change.
If you click on the bill's name, you will be taken to a page with a link to more information about the bill from the Library of Congress. This information has been remastered elsewhere.
The first reason why I would like you to see this page is because I want to you to take note who voted for this atrocious bit of legislation and react accordingly.
Then I would like you admire how the page is automatically a summary but allows the user to further delve into the particulars of the information, such vote by the astrological signs of the members of Congress. (Oh Cancer, why do you have to be sooo defensive?) I would cite this as an example of a fundamental way newspaper sites need to change.
If you click on the bill's name, you will be taken to a page with a link to more information about the bill from the Library of Congress. This information has been remastered elsewhere.
Monday, September 18, 2006
Digital Bookplates
Brown University attaches digital bookplates to the catalogue records of donated items. [web4lib] Very classy!
Thursday, September 14, 2006
Ze Show Called Hackfest
I'm late jumping on this bandwagon, but I would like to sing the praises of Ze Frank's The Show videoblog (additional background info).
He's got computer and music skillz. He's humane. He's funny. He has given the best answer to "I'm going to school... what major should I choose?" that I've ever heard [transcript].
Earlier today I was going through some of the more popular shows but I stopped after hearing the brain crack show because, well, it put me in place.
For those of you who won't take my word that its worth watching a videoblog, I'll try to summarize the jist of this show: a reader asks if Ze is running out of ideas. Ze says, yes, he runs out of ideas every day. "If you don't want to run out of ideas the best thing to do is not to execute them.... then they stay in your head forever like brain crack." He then warns us that many folks are addicted to this brain crack . These folks keep their ideas in their brains, forever imagining how great and perfectly executed these ideas will one day become. He tells us that the bummer is that most ideas suck when you do them. When Ze gets and idea - even a bad one - he tries to get it out in the world as soon as possible. And then he breaks into song. Really.
Okay, so I realized then and there that I had an addiction to brain crack. I was hoarding my Hackfest ideas. So, inspired by Ze Frank, here they are. Um, for other people to execute them.
Now I realize that the fine folks running Hackfest may not need an overabundance of half-baked ideas but dammit, I can't lose the award named after me for another year!
He's got computer and music skillz. He's humane. He's funny. He has given the best answer to "I'm going to school... what major should I choose?" that I've ever heard [transcript].
Earlier today I was going through some of the more popular shows but I stopped after hearing the brain crack show because, well, it put me in place.
For those of you who won't take my word that its worth watching a videoblog, I'll try to summarize the jist of this show: a reader asks if Ze is running out of ideas. Ze says, yes, he runs out of ideas every day. "If you don't want to run out of ideas the best thing to do is not to execute them.... then they stay in your head forever like brain crack." He then warns us that many folks are addicted to this brain crack . These folks keep their ideas in their brains, forever imagining how great and perfectly executed these ideas will one day become. He tells us that the bummer is that most ideas suck when you do them. When Ze gets and idea - even a bad one - he tries to get it out in the world as soon as possible. And then he breaks into song. Really.
Okay, so I realized then and there that I had an addiction to brain crack. I was hoarding my Hackfest ideas. So, inspired by Ze Frank, here they are. Um, for other people to execute them.
- Create two-player game that is not unlike Hotbooks except that its played online only. Or create a one-player game in which certain books in a library are considered horcruxes that need to be identified and neutralized.
- Inspired by ASU's Index to Physical, Chemical and Other Property Data, I think we - the libraries of the world - should create a collective index to the best print resources (without online equivalents) in our reference collections. It could be a wiki but it could also be something else.
Now I realize that the fine folks running Hackfest may not need an overabundance of half-baked ideas but dammit, I can't lose the award named after me for another year!
Thursday, September 07, 2006
A collection of thoughts on curating and libraries
My wee little mind was blown this morning as I learned about two particular libraries from the if:book blog: The Prelinger Library and The Reanimation Library. Both are new libraries dedicated to preserving visually rich material for the purposes of repurposing by artists, historians, scholars, writers and other cultural workers.
From the overview and philosophy section of the Reanimation Library:
This is beautiful, mad genius.
Libraries, like the academic library where I am employed, must weed their Reference collections in order to give these collections meaning as a Reference Collection is defined as useful works that one refers to frequently. But if one saves the visually rich detritus of the Reference Collection and then turns this material into a collection unto itself, then these useless works become a unique collection that gains value through a new community.
I was so captivated by the idea of these libraries that over the course of the day I kept thinking about libraries and collections. When does a collection of books become more valuable than when its part of a larger library or works? Are libraries just troves of unprocessed ore? Should we think of libraries in terms of collections of items instead of concentrating on the individual items themselves?
Library exhibitions blur the line between the library and the museum. When you select items from a large collection and display them to demonstrate an idea that brings them all together, it begins sounds to me like you are curating an museum.
What's the difference between a library and a museum anyway? Well coincidently, also today Richard Akerman posted this succinct comparison:
The Tate Museum offers a very limited means to "curate" your own museum. Perhaps libraries should allow users to create their own online "collections" from our holdings. We could even hold contests for the best collections. To me, this would be more egalitarian than the book collecting contests that are held annually at three dozen libraries, including Cornell and Michigan State University, that culminate in the Collegiate Book-Collecting Championship.
Both The Prelinger Library and The Reanimation Library chose to be libraries of physical books as opposed to dedicating efforts to digitize their collected works. They still have faith in browsing and papery goodness. Libraries don't have to be completely re-purposed.
From the overview and philosophy section of the Reanimation Library:
Of particular interest to the Reanimation Library is the loss of visual information that occurs during the aforementioned process of weeding. Even though text is often accompanied by images, collection development policies generally assign little weight to the graphic dimension of a work, unless that work happens to be graphically driven (i.e. a book on a visual artist, graphic design, or an atlas). Most library collection development policies place priority on acquiring items with current textual information and replacing items where that information is lacking or outdated. This priority, coupled with the continual production of new editions as fields of knowledge evolve, create the growing fossil record of outdated books—a veritable feast for image archaeologists. The Reanimation Library is committed to building a collection of materials that are rich in visual information, regardless of the currency of their textual information. The Library serves as a repository and, more pertinently, an access point for such materials.
This is beautiful, mad genius.
Libraries, like the academic library where I am employed, must weed their Reference collections in order to give these collections meaning as a Reference Collection is defined as useful works that one refers to frequently. But if one saves the visually rich detritus of the Reference Collection and then turns this material into a collection unto itself, then these useless works become a unique collection that gains value through a new community.
I was so captivated by the idea of these libraries that over the course of the day I kept thinking about libraries and collections. When does a collection of books become more valuable than when its part of a larger library or works? Are libraries just troves of unprocessed ore? Should we think of libraries in terms of collections of items instead of concentrating on the individual items themselves?
Library exhibitions blur the line between the library and the museum. When you select items from a large collection and display them to demonstrate an idea that brings them all together, it begins sounds to me like you are curating an museum.
What's the difference between a library and a museum anyway? Well coincidently, also today Richard Akerman posted this succinct comparison:
library = community access to reusable stuffHe also makes this important point: "'Reusable stuff' is practically the definition of online content".
museum = community access to unique stuff
archive = nobody/privileged access to important stuff
The Tate Museum offers a very limited means to "curate" your own museum. Perhaps libraries should allow users to create their own online "collections" from our holdings. We could even hold contests for the best collections. To me, this would be more egalitarian than the book collecting contests that are held annually at three dozen libraries, including Cornell and Michigan State University, that culminate in the Collegiate Book-Collecting Championship.
Both The Prelinger Library and The Reanimation Library chose to be libraries of physical books as opposed to dedicating efforts to digitize their collected works. They still have faith in browsing and papery goodness. Libraries don't have to be completely re-purposed.
Wednesday, September 06, 2006
The Special Librarian theme song
I didn't go to any conferences when I was attending library school but some of my classmates did. Over the summer, one such classmate went to a Special Library Association conference (this was in 1995 I think) and she showed off the swag she acquired on her adventure to some of us. My eyes fell on a cassette that was in the pile and I, being curious and brazen, asked if I could have it. Jealous of her hoard, she would only let me borrow the cassette. So I dutifully took it home and gave it a listen. On the cassette was a song.
I dubbed a copy of its contents, and returned the casette to her the next day. If I had bothered to write down the song's title or who peformed the piece, I must have misplaced it (this was before I was granted my degree, mind you). Ten years later, I digitized some of my mixed tapes.
And so, for your listening pleasure: The Special Librarian Theme Song !
[link expires in 7 days or 100 downloads.. which ever comes first]
I dubbed a copy of its contents, and returned the casette to her the next day. If I had bothered to write down the song's title or who peformed the piece, I must have misplaced it (this was before I was granted my degree, mind you). Ten years later, I digitized some of my mixed tapes.
And so, for your listening pleasure: The Special Librarian Theme Song !
[link expires in 7 days or 100 downloads.. which ever comes first]
Monday, September 04, 2006
The library as hand gestures
Have you ever stumbled upon something that is so obvious and yet strikes you as a deeply profound secret truth? That's what I felt when I read this passage from Worlds of Reference some days ago:
It got me thinking.
The library can broken down into two activities: organizing (technical services) and referring (reader services).
I visit a website and its homepage is called index.html. As I move my mouse, the pointer on the screen turns from an arrow to a hand with an outstretched index finger.
You can use your index finger to point out something to someone. Or you can bring it to your lips and make a shushing noise.
Human beings have presumably, since time immemorial, used their fingers for pointing and listing, two primary modes of referring and organizing... Although the languages we have used in the last two or three millennia do not date back directly to Cro-Magnon times, it is still worthwhile noting that we use the term 'index' for both the pointing finger and a list of a certain kind that also figuratively points...
It got me thinking.
The library can broken down into two activities: organizing (technical services) and referring (reader services).
I visit a website and its homepage is called index.html. As I move my mouse, the pointer on the screen turns from an arrow to a hand with an outstretched index finger.
You can use your index finger to point out something to someone. Or you can bring it to your lips and make a shushing noise.
Thursday, August 31, 2006
Recommendations with Reservations
A copy of To Kill A Mockingbird has been sitting on my bedside table for the whole summer and its largely been untouched. I don't really want to read it. But I am determined to plow through the thing since every book recommendation engine I have ever tried has pushed this book on me. In retailation, I dissed Suggestica this morning.
I have been thinking about book recommendation systems lately. Because these systems are created by those who are trying to sell you books, they are designed to push books that you may want to read. If you like a particular book, the system will suggest other books by the same author or in the same genre. This gets boring pretty quick. While I am occasionally paralyzed by choice when it comes to my next reading selection, I already know what I like to read. What I want a system that will tell me what I should read.
Sometimes we should be reading books that challenge the ideas and personal beliefs that we hold dear. Sometimes we should be reading books on topics that don't interest us much. Sometimes we should be reading books because they will help us understand other books. And sometimes we should be reading works because our professor has assigned them for us to read.
Here's a Library 2.0 (shudder - I can't believe I just typed that phrase) application I would like to see. I would like to see an application that injests the rss feed of every university professor's class readings and keeps track of the popularity of each citation. This ranking information would then be fed back into library applications like the library catalogue or periodical databases and would tell the reader: you should read this.
I have been thinking about book recommendation systems lately. Because these systems are created by those who are trying to sell you books, they are designed to push books that you may want to read. If you like a particular book, the system will suggest other books by the same author or in the same genre. This gets boring pretty quick. While I am occasionally paralyzed by choice when it comes to my next reading selection, I already know what I like to read. What I want a system that will tell me what I should read.
Sometimes we should be reading books that challenge the ideas and personal beliefs that we hold dear. Sometimes we should be reading books on topics that don't interest us much. Sometimes we should be reading books because they will help us understand other books. And sometimes we should be reading works because our professor has assigned them for us to read.
Here's a Library 2.0 (shudder - I can't believe I just typed that phrase) application I would like to see. I would like to see an application that injests the rss feed of every university professor's class readings and keeps track of the popularity of each citation. This ranking information would then be fed back into library applications like the library catalogue or periodical databases and would tell the reader: you should read this.
Monday, August 28, 2006
My fly pentop computer
So some weeks ago, I went to Toys R Us with the intent of buying the baby some blocks. Baby got blocks. I got Fly.

My spontaneous purchase surprised myself as I'm not usually one for electronic gadgets. I don't own a laptop or PDA and my ancient cell phone is a hand-me-down. But ever since I read about the Fly Pentop computer in WIRED Magazine, I wanted one mightily. I think I was captivated by the notion of a portable organizer that was easy to use and inherently fun. I justified the cost by telling myself that I was acting on behalf of my profession as I investigated the social ramifications of infusing computing technology into paper and pen.
And so, this review.
First off, the Flypen will not become my PDA of choice as you can only associate three words with each scheduled event. This makes it an appropriate reminding tool for students (PRACTICE MATH EXAM) but not grown ups who live in the land of acronymed sub-committees (UCRPLM PRESENTATION REVIEW). And since the Flypen is designed for students in grades 6 through 8, I'm hardly in a position to complain. So I will try to review the system keeping its official mandate in mind.
In short, the Flypen is an educational toy and as such, it is a slave to two masters. No one can serve two masters well, and when it comes down to it, the Flypen does a better job serving education as opposed to serving up fun. That is, certain kinds of fun.
One of the most mind-blowing tricks you can do with your Flypen is to draw a keyboard on some Flypaper and then "play" the piano (you tap the pen onto the drawn keys and the pen makes the appropriate sound). You can also draw a little drum set and play/record buttons and compose a little ditty. But making music is the only form of "unstructured play" that the current Flypen system provides. Most of the fun is provided in the form of games embedded in Flypaper that you have to buy.
I have only been able to play the Fly Games that came with my initial start up package and so I haven't been able to try some of the more intriguing ones. I've played the geography games, the matching games, hangman, and the quizes. Some of the quizes reminded me of the Invisible Ink travel activity books sold along highways (and they were just as disappointing). But the quizes that were simple personality tests really impressed me -- not because of any insights into my character -- but because the ability to embed the answer key in the paper means that there is no opportunity to cheat and the results take no calculation on your part.
So its not surprising that the ability to practice math, spelling, and even tests from standardized textbooks is the real strength of the Flypen system. I can see how the Flypen system could inject both instant and helpful feedback into rote learning and I think a child struggling with a subject could appreciate its infinately patient, non-human help. And if I was a student learning Spanish, I know I would love the pen's ability to identify words written in English and announce and spell its translation, since I learn best by writing things down. Whether Leapfrog will develop what I really would like - "Fly Through French" - I suspect depends on whether the Flypen franchise will, ahem, fly.
One of the things that I have learned from thinking about the Flypen is that having an amazing technology, unto itself, is not enough to become a successful product. The potential of pentop computing and smart paper is so massive and yet its unlikely to be realized because the technological change is *too* great. We have invested thousands of years into "normal" pen and paper and that's a lot of cultural inertia. Educational software may be the best way for this technology to get a toe-hold into our world. That's the strength of the promise of potentially better marks at school... which is pretty scary when you think about it.

My spontaneous purchase surprised myself as I'm not usually one for electronic gadgets. I don't own a laptop or PDA and my ancient cell phone is a hand-me-down. But ever since I read about the Fly Pentop computer in WIRED Magazine, I wanted one mightily. I think I was captivated by the notion of a portable organizer that was easy to use and inherently fun. I justified the cost by telling myself that I was acting on behalf of my profession as I investigated the social ramifications of infusing computing technology into paper and pen.
And so, this review.
First off, the Flypen will not become my PDA of choice as you can only associate three words with each scheduled event. This makes it an appropriate reminding tool for students (PRACTICE MATH EXAM) but not grown ups who live in the land of acronymed sub-committees (UCRPLM PRESENTATION REVIEW). And since the Flypen is designed for students in grades 6 through 8, I'm hardly in a position to complain. So I will try to review the system keeping its official mandate in mind.
In short, the Flypen is an educational toy and as such, it is a slave to two masters. No one can serve two masters well, and when it comes down to it, the Flypen does a better job serving education as opposed to serving up fun. That is, certain kinds of fun.
One of the most mind-blowing tricks you can do with your Flypen is to draw a keyboard on some Flypaper and then "play" the piano (you tap the pen onto the drawn keys and the pen makes the appropriate sound). You can also draw a little drum set and play/record buttons and compose a little ditty. But making music is the only form of "unstructured play" that the current Flypen system provides. Most of the fun is provided in the form of games embedded in Flypaper that you have to buy.
I have only been able to play the Fly Games that came with my initial start up package and so I haven't been able to try some of the more intriguing ones. I've played the geography games, the matching games, hangman, and the quizes. Some of the quizes reminded me of the Invisible Ink travel activity books sold along highways (and they were just as disappointing). But the quizes that were simple personality tests really impressed me -- not because of any insights into my character -- but because the ability to embed the answer key in the paper means that there is no opportunity to cheat and the results take no calculation on your part.
So its not surprising that the ability to practice math, spelling, and even tests from standardized textbooks is the real strength of the Flypen system. I can see how the Flypen system could inject both instant and helpful feedback into rote learning and I think a child struggling with a subject could appreciate its infinately patient, non-human help. And if I was a student learning Spanish, I know I would love the pen's ability to identify words written in English and announce and spell its translation, since I learn best by writing things down. Whether Leapfrog will develop what I really would like - "Fly Through French" - I suspect depends on whether the Flypen franchise will, ahem, fly.
One of the things that I have learned from thinking about the Flypen is that having an amazing technology, unto itself, is not enough to become a successful product. The potential of pentop computing and smart paper is so massive and yet its unlikely to be realized because the technological change is *too* great. We have invested thousands of years into "normal" pen and paper and that's a lot of cultural inertia. Educational software may be the best way for this technology to get a toe-hold into our world. That's the strength of the promise of potentially better marks at school... which is pretty scary when you think about it.
Monday, August 21, 2006
Hotbooks - turning the library into a game space
From kottke I found out about the The Come Out and Play Festival - a "festival dedicated to street games. It is three days of play, talks, and celebration, all focused on new types of games and play." I want to go out and play but I'm housebound at the moment. So instead I can only read about the festival on the web...
Its being held in New York City and on September 23rd there's a game afoot in the New York Public Library called Hotbooks. From the "Come out and play" description:
And evidently, for more details, one must attend an information session being held at The Lillian H Smith Library.
Its being held in New York City and on September 23rd there's a game afoot in the New York Public Library called Hotbooks. From the "Come out and play" description:
Libraries are dying spaces. Hot Books is a game designed to bring life back into libraries by forcing players to explore, discover and share the deserted and unexplored spaces that make up a library.The game was designed by Nick Reid for a game design class at UC Berkeley and the game The game was inspired by the unused, lost and forgotten book(s?) in UC Berkeley's Doe Library. My favourite part from the original description of the game is this:
Hot Books is a game where players “attach” books to each other. The game play of Hot Books takes place over the internet. Each player starts by creating a profile for himself. Other players then attach book titles to that profile and gain a point. If a player wants to detach a book from his profile, he has to go to the library and find a specific word in that book, which allows him to detach the book. Once the player detaches the book, he can attach it to any other player.
The game augments the library into a social space –where books are re-imagined into social markers that creates a new experience of exploring a library.
The critical moment of the game occurs when the real world and digital space no longer coincide, which happens when a book is lost in the library. This creates an impossible situation for the player, since the player must be able to find the book in order to obtain the key to detach it. If the player cannot find the book, then the play of passing the books stops. This critical moment, and the dilemma it present when the player cannot find the book, illustrates the fragility of the physical world of books.Recently I've noticed a number of these events where a public space is turned into field of play. Why today on Boing Boing I learned that there will be an "alternate reality game" set in Toronto called Waking City -- "a kind of city-wide ongoing scavenger-hunt and puzzle where clues and collaboration come over the net".
And evidently, for more details, one must attend an information session being held at The Lillian H Smith Library.
Sunday, August 20, 2006
Is the Internet making my newspaper dummer?
I haven't read Chirs Anderson's The Long Tail yet and so I don't know whether he would apply long tail dynamics to newspapers. But I did read a recent article on Slate (How the New York Times Makes Local Papers Dumber) that suggests that there are other forces at work that tend to concentrate subscriptions to the biggest newspapers at the expense of local papers:
Speaking of which, have you seen the digital version of The Guardian? If not, you should try out the demo because I defy you to find a more beautiful and useable interface to an online newspaper. By the way, at $20 per month, it is $10 cheaper than cost for home delivery of the The Globe and Mail, which, I must say, I am beginning to find boring.
Never mind Times print expansion for a moment. What about the great Web incursion, which is looting educated readers from local newspapers everywhere? The Web editions of the Times, the Washington Post, the Los Angeles Times, Time, CNN, the Guardian, and many other news sites appeal to the same demographic that defects to the Times.
Speaking of which, have you seen the digital version of The Guardian? If not, you should try out the demo because I defy you to find a more beautiful and useable interface to an online newspaper. By the way, at $20 per month, it is $10 cheaper than cost for home delivery of the The Globe and Mail, which, I must say, I am beginning to find boring.
Monday, August 14, 2006
How I found Ambient Finadability
We are said to live in "The Information Age". But unlike say, "The Bronze Age" when Bronze was valuable, its not information that's valuable. Its attention. Your time (which has always been finite) is now considered a precious resource.
So I was almost immediately disappointed by this passage from the preface of Peter Morville's Ambient Findability:
That was the first warning sign. If the author can't be assed to give you a good reason to spend some time with his thoughts, then why should you? I was also off-put by the matter of citing the Internet as the "signular" cultural revolution (umm... 9/11 anyone?). I bristle at technology inspired hubris.
But I did preserver and read this book because I was captivated by the book's tagline: What We Find Changes Who We Become (which is way sexier than the line that I use when teaching about online searching, What you ask for is what you get so be careful what you ask for). And it should also be said that I gave the book a chance because of Morville's reputation. Peter is considered as a "founding father of information architecture" and he is a librarian to boot.
So I read this 179 page book. The only part of the book that addresses the promise of the tagline can be found on page 169:
Peter is not a cognitive scientist. I'm not either, but that's not going to stop me from saying that this is flat out wrong. From what I learned from Daniel Gilbert, we don't perceive everything and we don't remember everything. The only way Peter's theory works is by circular logic: if we define information as something that changes us, then all information changes us.
So what is the aboutness of this book? I'd describe it as a buffet table of stories from the disciplines of computer science, linguistics, urban planning, library science, graphic design and others, done in the name of Information Architecture... err sorry, Ambient Findability. Search engines, information literacy, web page navigation, maps, ants, city design, the semantic web, are invoked in this book. It's a quick tour, written for the business man as opposed to the academic, the is writing light and lively, and one is sure to find at least a couple items that will amuse (my fave: Info-overload harms concentration more than marijuana).
But, on the downside, I found the whole exercise very gimmicky. Morville litters the book with interesting excerpts from books popular in the blogosphere. That's fine but sometimes, like when he summarized stories from Freakonomics and The Tipping Point, they feel like diversions from the topic at hand. And the irrational exuberance for all things Internet frequently made me cringe. Nowhere does the cultural-name dropping and techno-cheerleading gets as painfully silly as this passage:
What I couldn't find in this book was the reason that brought all the stories and examples together. I couldn't find an argument being made or a point of view being advocated. I got the feeling that Morville was taking Williams Gibson's "The future is here. Its just not evenly distributed yet" as a guideline to structuring his book.
I found this book a waste of time.
So I was almost immediately disappointed by this passage from the preface of Peter Morville's Ambient Findability:
So, what's this book about? That's a tough one. I could tell you it's about information interaction at the crossroads of mobile computing and the Internet, or claim it opens a window onto the singular cultural revolution of our time... But I won't. Instead, I'll ask you to read it, for aboutness lies in the eye of the beholder.
That was the first warning sign. If the author can't be assed to give you a good reason to spend some time with his thoughts, then why should you? I was also off-put by the matter of citing the Internet as the "signular" cultural revolution (umm... 9/11 anyone?). I bristle at technology inspired hubris.
But I did preserver and read this book because I was captivated by the book's tagline: What We Find Changes Who We Become (which is way sexier than the line that I use when teaching about online searching, What you ask for is what you get so be careful what you ask for). And it should also be said that I gave the book a chance because of Morville's reputation. Peter is considered as a "founding father of information architecture" and he is a librarian to boot.
So I read this 179 page book. The only part of the book that addresses the promise of the tagline can be found on page 169:
Which brings us to graffitti theory, my corollary to both memory-prediction and broken windows, which suggests that all information that flows through our senses continuously and unconsciously shapes our memories, beliefs, predictions, decisions and behaviors. We are born with instinct, but in matters of intuition, we are lifetime learners. Information is data that makes a difference, literally. It changes our minds, physically.
Peter is not a cognitive scientist. I'm not either, but that's not going to stop me from saying that this is flat out wrong. From what I learned from Daniel Gilbert, we don't perceive everything and we don't remember everything. The only way Peter's theory works is by circular logic: if we define information as something that changes us, then all information changes us.
So what is the aboutness of this book? I'd describe it as a buffet table of stories from the disciplines of computer science, linguistics, urban planning, library science, graphic design and others, done in the name of Information Architecture... err sorry, Ambient Findability. Search engines, information literacy, web page navigation, maps, ants, city design, the semantic web, are invoked in this book. It's a quick tour, written for the business man as opposed to the academic, the is writing light and lively, and one is sure to find at least a couple items that will amuse (my fave: Info-overload harms concentration more than marijuana).
But, on the downside, I found the whole exercise very gimmicky. Morville litters the book with interesting excerpts from books popular in the blogosphere. That's fine but sometimes, like when he summarized stories from Freakonomics and The Tipping Point, they feel like diversions from the topic at hand. And the irrational exuberance for all things Internet frequently made me cringe. Nowhere does the cultural-name dropping and techno-cheerleading gets as painfully silly as this passage:
We hear this same rebel yell in the ancient markets of the cluetrain manifesto, the mobile thumb tribes of smart mobs, and the disruptive technologies of peer-to-peer. We embrace the hidden power of social networks and the emergent wisdom of crowds. We are small pieces loosely joined in persistent disequilibrium, gloriously and gladly out of control.
What I couldn't find in this book was the reason that brought all the stories and examples together. I couldn't find an argument being made or a point of view being advocated. I got the feeling that Morville was taking Williams Gibson's "The future is here. Its just not evenly distributed yet" as a guideline to structuring his book.
I found this book a waste of time.
Friday, August 04, 2006
13 Ways of Looking at Wikipedia, Encyclopedias and Libraries
There! I did it. I managed to untangle my confused thoughts and feelings on Wikipedia, libraries and encyclopedias into digestible parts.
13 Ways of Looking at Wikipedia, Encyclopedias and Libraries:
No more for a while. I promise.
13 Ways of Looking at Wikipedia, Encyclopedias and Libraries:
- A standing army is waiting for orders
- Wikipedia is to Britannica as American Idol is to the Juilliard School
- The Song of the Darnedest Stuff
- Because Britannica Doesn't Recognize You
- Do mere mortals buy encyclopedias?
- Are there encyclopedias that scholars use?
- Encyclopedias down the rabbit hole
- The closest reference book on the digital shelf
- There is no point not having a point of view
- Many hands make crappy work
- One search box to unite them all
- Wikipedia is War
- Why do we keep buying print encyclopedias?
No more for a while. I promise.
Why do we keep buying print encyclopedias?
From 1996 to 2006, there were 285 encyclopedia entries that were cited in Web of Science. During that same time period, the Leddy Library of the University of Windsor (where I am employed) acquired 580 encyclopedias.
Some of these encyclopedias include: "Blackwell encyclopedic dictionary of human resource management", "Cambridge encyclopedia of hunters and gatherers", "Contemporary youth culture : an international encyclopedia", "Encyclopedia of ageism", "Encyclopedia of Arab women filmmakers", "Encyclopedia of fire", "Encyclopedia of local history", "Encyclopedia of relationships across the lifespan"... (Wot? No "Encyclopedia of the Enyclopedia"?)
I have to admit, I am dubious of the value of these works. It's not that that I doubt their scholarship. I just have a hard time imagining that the perceived value of these works are so great that they would draw a student in their dorm room to walk across campus and into the library in order to look at them. Not when Wikipedia is a click away.
I'm not saying that the print encyclopedia is dead or, by proxy, the library's reference collection is dead. It just smells bad.
There is valuable material in our reference collection and if we really want to make the material available we are going to have to put some effort into showcasing it. What I envision is an online index to the table of contents of our print reference collection. This revelation came to me after I had stumbled upon the ASU's Index to Physical, Chemical and Other Property Data which is simply magnificent.
Since so many libraries have similar contents in their reference collections, I imagine that it would be best if only own such index would be created and maintained any librarian interested. Library holdings information would automatically appear by means of a COinS Dialtone.
And it goes, almost without saying, that the platform would be a Wiki.
Some of these encyclopedias include: "Blackwell encyclopedic dictionary of human resource management", "Cambridge encyclopedia of hunters and gatherers", "Contemporary youth culture : an international encyclopedia", "Encyclopedia of ageism", "Encyclopedia of Arab women filmmakers", "Encyclopedia of fire", "Encyclopedia of local history", "Encyclopedia of relationships across the lifespan"... (Wot? No "Encyclopedia of the Enyclopedia"?)
I have to admit, I am dubious of the value of these works. It's not that that I doubt their scholarship. I just have a hard time imagining that the perceived value of these works are so great that they would draw a student in their dorm room to walk across campus and into the library in order to look at them. Not when Wikipedia is a click away.
I'm not saying that the print encyclopedia is dead or, by proxy, the library's reference collection is dead. It just smells bad.
There is valuable material in our reference collection and if we really want to make the material available we are going to have to put some effort into showcasing it. What I envision is an online index to the table of contents of our print reference collection. This revelation came to me after I had stumbled upon the ASU's Index to Physical, Chemical and Other Property Data which is simply magnificent.
Since so many libraries have similar contents in their reference collections, I imagine that it would be best if only own such index would be created and maintained any librarian interested. Library holdings information would automatically appear by means of a COinS Dialtone.
And it goes, almost without saying, that the platform would be a Wiki.
Thursday, August 03, 2006
Wikipedia is War
Its not enough to make a contribution to Wikipedia on a topic that you care about. If you really care about your subject you are going to have watch over your pages, ever-vigilant.
I realized this after reading a short but amusing interview with Bearcat - an individual who has dedicated considerable time adding and editing Wikipedia entries about the CBC. My favourite part was this:
When the truth goes to whoever has the last edit, the editing will never end.
I realized this after reading a short but amusing interview with Bearcat - an individual who has dedicated considerable time adding and editing Wikipedia entries about the CBC. My favourite part was this:
There was an American editor who first popped up during the CBC labour dispute last year. He didn't know very much about the CBC, but seemed to have heard on NPR that there was a labour dispute, and this somehow inspired him to make a complete muck of CBC articles on Wikipedia. First he *removed* the program schedules from the articles, and then asked us why the articles didn't provide detail on CBC's programming. Then he started writing articles himself on CBC programs that didn't have articles yet; naturally, given his lack of knowledge, they mostly consisted of vague equivocations like "Music and Company is a program on CBC Radio Two that probably plays classical music."Its a recurring theme to my readings on Wikipedia. You must have patience, persistence and...
He also tried more than once to propagate the theory that Toronto'’s CFMX (Classical 96) should take over CBC Radio Two, which he did mainly by changing the call signs of CBC stations to make it appear as though his fantasy takeover had *already* happened...
Wikipedia, needless to say, can be a real education in human psychology at times.
You have to be able to suffer a lot of foolishness to work on Wikipedia. You really do. And for most people who were brought up in academic discourse, the way people behave just isn'’t acceptable. But you have to balance that against the efficiency of producing the largest encyclopedia in human history over the course of five years.
When the truth goes to whoever has the last edit, the editing will never end.
Wednesday, August 02, 2006
One search box to unite them all
When academic libraries first made their research journals available to their campus community via the web, they did so by listing them alphabetically on a webpage. When these lists grew too long, libraries responded by acquiring software that managed these resources, breaking down the journals into subjects and allowing to search the titles using one search box.
When academic libraries first made their periodical indexes available to their campus community via the web, they did so by listing them alphabetically on a webpage. When these lists of indexes grew too long, libraries responded by breaking down the links into lists of indexes by subject. When those lists started becoming longer and more intimidating, libraries started offering federated search, which allows the user to search multiple indexes -- and their online journal collection -- all at once using one search box.
Academic libraries are now making their encyclopedias available to their campus community via the web. Most libraries list them alphabetically on a webpage while others make them available through subject specific lists. Access to the entire contents of a library's encyclopedias via the one search box seems inevitable to me.
At this stage there are some companies that offer access to a number of reference tools at once. Oxford Reference Online provides access to over 100 general and specialized dictionaries - all published by Oxford Press. Xrefer also offers general and specialized dictionaries and other research tools from a number of publishers, but not including Oxford Press.
I can't help but think that there will be, one day, a new -- for lack of a better word -- space where libraries will dump all their factual information from the encyclopedias and other resources that they have in their collections, that their users can then search and cross-reference. And yet, I realize that the notion sounds fanciful and downright goofy.
In the future, will libraries grow their own Wikipedias?
When academic libraries first made their periodical indexes available to their campus community via the web, they did so by listing them alphabetically on a webpage. When these lists of indexes grew too long, libraries responded by breaking down the links into lists of indexes by subject. When those lists started becoming longer and more intimidating, libraries started offering federated search, which allows the user to search multiple indexes -- and their online journal collection -- all at once using one search box.
Academic libraries are now making their encyclopedias available to their campus community via the web. Most libraries list them alphabetically on a webpage while others make them available through subject specific lists. Access to the entire contents of a library's encyclopedias via the one search box seems inevitable to me.
At this stage there are some companies that offer access to a number of reference tools at once. Oxford Reference Online provides access to over 100 general and specialized dictionaries - all published by Oxford Press. Xrefer also offers general and specialized dictionaries and other research tools from a number of publishers, but not including Oxford Press.
I can't help but think that there will be, one day, a new -- for lack of a better word -- space where libraries will dump all their factual information from the encyclopedias and other resources that they have in their collections, that their users can then search and cross-reference. And yet, I realize that the notion sounds fanciful and downright goofy.
In the future, will libraries grow their own Wikipedias?
Tuesday, August 01, 2006
Many hands make crappy work
What makes the story of the genesis of Wikipedia so delightful to those who distrust the experts of the world, is that the web-based "encyclopedia of the people" succeeded after its its founder gave up on Nupedia - the web-based "encyclopedia of experts", which had failed miserably. Why did it fail? Well, it's simple. "Nupedia wanted scholars to volunteer content for free".
And yet, its not so simple. Scholars give their work away for free most of the time. Its just that they tend to give their work to more established publishing houses or to a scholarly society that publishes research. When a scholar has their work reviewed, the reviewers tend to look at the quality of publications that accepted the work done more so than the actual quality of the work itself. So its no wonder to me why a start up like Nupedia had trouble getting submissions.
When it comes to Wikipedia, its hard for some folks not to bring up the notion of common people outsmarting the experts a la Wisdom of Crowds even though Wikipedia doesn't fulfill Surowiecki's four conditions of a "wise crowd". Its largely unsaid, but Wikipedia is thought to improve by means of a strange evolution-like process...
And yet, its not so simple. Scholars give their work away for free most of the time. Its just that they tend to give their work to more established publishing houses or to a scholarly society that publishes research. When a scholar has their work reviewed, the reviewers tend to look at the quality of publications that accepted the work done more so than the actual quality of the work itself. So its no wonder to me why a start up like Nupedia had trouble getting submissions.
When it comes to Wikipedia, its hard for some folks not to bring up the notion of common people outsmarting the experts a la Wisdom of Crowds even though Wikipedia doesn't fulfill Surowiecki's four conditions of a "wise crowd". Its largely unsaid, but Wikipedia is thought to improve by means of a strange evolution-like process...
1. Anyone, irrespective of expertise in or even familiarity with the topic, can submit an article and it will be published.
2. Anyone, irrespective of expertise in or even familiarity with the topic, can edit that article, and the modifications will stand until further modified.